When the news began to spread that Jordyn Wieber might have a stress fracture, the snarky comments about excuses began. Even though they shouldn’t have, they surprised me. After all, when a dominant, consistent gymnast all of a sudden starts putting in uncharacteristically subpar performances, it is more common than not that an injury – usually a stress fracture- is part of the equation. Jordyn is not the first, and as competitive gymnastics continues to get more and more difficult, I am sure she will not be the last.
In fact, the heartbreaking story of a gymnast who shows so much potential to dominate gymnastics who then comes down with a stress fracture before or during a major competition has become so commonplace it is treated as something that is barely newsworthy. Let’s look at the many past American hopefuls who have suffered Jordyn’s fate. Then we will talk about why stress fractures fractures dreams.
Kim Zmeskal was a brilliant world champion in 1991. Everyone expected her to claim all the glory in the Olympics.
Americans had high hopes for Zmeskal and the U.S. team heading the Barcelona 1992 Olympic Games, with Zmeskal earning the cover of both Time and Newsweekmagazines before the Games. In the U.S. National Championships and Olympic Trials, Zmeskal battled an emergingShannon Miller, with Miller defeating Zmeskal at the Trials.
Zmeskal disappointed at the Games, falling off the balance beam during her compulsory routine on the first night of competition. Although she would rebound with performances on the floor, vault, and bars, Zmeskal was in 32nd place after the compulsories and 5th on the American team. She would further rebound with impressive scores of 9.912 on beam, 9.95 on vault, 9.9 on uneven bars, and a 9.925 on floor during the finals of the team competition, moving Zmeskal into 12th place and into the all-around competition by finishing third among the American women. Her combined score of 39.687 for the night was the highest of any competitor.
Although earning enough points to compete in the all-around competition, Zmeskal would again falter during her first event, the floor exercise, stepping out of bounds. It would later be revealed that Zmeskal was suffering from a stress fracture in her ankle before the Olympics began. (Wikipedia)
Next comes Dominique Moceanu in 1996.
Moceanu’s national and international successes, combined with her plucky, bubbly attitude, earned her attention and a wide fan base both in and out of the gymnastics community. In the months leading up to the Atlanta Olympics, she was one of the most recognizable faces of USA Gymnastics, eclipsing more decorated teammates such as Shannon Miller andDominique Dawes. Before the Olympics, she was featured in Vanity Fairand wrote an autobiography, Dominique Moceanu: An American Champion. The book was highly successful and ranked number seven on the New York Times’ Best Sellers List.
Moceanu was expected to be a major medal threat at the 1996 Olympics. However, following the 1996 U.S. Nationals, where she placed third in the all-around, she was diagnosed with a stress fracture in her right tibia. Her injury forced her to sit out the Olympic Trials, and she was petitioned onto the team on the strength of her Nationals scores.
At the Olympics, still struggling with her injury and sporting a heavily bandaged leg, Moceanu contributed to the team gold medal, turning in strong performances and she qualified for the event finals on balance beam and floor exercise. However, she faltered in the last rotation of team finals, falling on both vaults, a situation which directly resulted in the U.S. chance of a gold medal resting solely on teammate Kerri Strug‘s final vault. Strug injured herself in the successful attempt, and Moceanu only advanced to the all-around finals as her replacement. Mistakes cost Moceanu a medal, and she placed ninth. In the balance beam event final, Moceanu fell when she missed a foot on a layout and crashed into the balance beam on her head. She finished the exercise and went on to a strong performance in the floor finals later that day, finishing fourth and just missing a medal. (Wikipedia)
Next comes Courtney Kupets.
In 2004, there was a fierce battle between Courtney and Carly Patterson for the title of America’s best. But once at the Olympics, the fight seemed to go out of Courtney, who had always been a consistent and fierce competitor up to that point (and after I might add). Uncharacteristic pain in her hip caused her to be replaced by Mohini Bhardwaj on beam during the team finals at the last minute. She went on to “underperform” in the All Around Finals, placing 9th instead of battling for the gold. Though she would say in interviews that she had no excuses and injury was not a big factor, after the Olympics it was revealed that she had a stress fracture in her hip.
The 2008 Olympics passed with other injuries, but no stress fractures.
In 2009, Rebecca Bross took gymnastics by storm, and lost the world championship with a fluke fall. She dominated in 2010 and once again came into the World Championships expected to challenge for gold. After complaining of shin pain throughout the lead up to the competition, and giving in to uncharacteristic weak moments throughout the championships, it was revealed after the fact that she had a stress fracture as well.
So after a qualifications full of unusual small mistakes and then a floor finals filled with the same, in all honesty I assumed Jordyn had a stress fracture or another similar injury. It seemed the most likely scenario. It surprised me when people started saying they were making excuses.
It is laughable to me that what the normal public would consider a broken hip, leg or ankle gymnasts consider as a “nagging pain.” I find it almost absurd that they consider those injuries as “not an excuse for their performance.” But I know gymnasts and the pain they work through regularly. I guess it is normal. What I find completely absurd is that the fans and the public feel the same way. These athletes are competing on broken limbs! Most people can hardly walk with this type of pain. Not an excuse?
Maybe it is because unlike other major injuries, gymnast are able to actually compete on and train on injuries like stress fractures (and plantar faciitis in the case of Romania’s Larisa Iordache). This gives the impression that they are ok. It is hard to understand why they make all these little mistakes. Of course there is pain. But beyond the pain, lets look at why these nagging injuries seem to affect performances by causing lots of little, uncharacteristic mistakes.
Gymnasts do hundreds if not thousands of repetitions of skills to create “muscle memory.” This is when they are able to perform the skill without actively thinking about it, they just do it. This allows them to perform the skill under the incredible pressure of competition. Gymnasts refer to this as “numbers.” They just need to get in the gym and do more numbers to be consistent. An injury like a stress fracture impedes this process in two ways.
The first, is a decrease in numbers performed during practice. In order to help the injury not turn into something that will absolutely prohibit them from competing, it is necessary to do less numbers so there will be less pounding on the injury. As this is the very heart of elite level training, this without a doubt affects their ability to perform the skills on demand. When an elite gymnast decreases their numbers significantly, their performance almost always diminishes as well.
The second is that gymnasts do these skills over and over again the exact same way to create that muscle memory. But even though they can grit through the pain of the break, their body is responding differently than it usually does. The ever so slight flinch on take off or landing changes the timing they are used to. It is not enough to prevent them from doing the skills, but is enough to make falls and balance checks on beam (where centimeters make all the difference) inevitable and stuck landings much more unlikely.
And don’t get me wrong. Stress fractures, a common injury in the gymnastics world, are very painful. The courage that these gymnasts show to train and compete on these injuries needs to be recognized and not brushed off. The courage of Jordyn Wieber to perform as brilliantly as she did in team finals despite her stress fracture is incredible.
At the end of the day, stress fractures have fractured many gymnasts’ dreams over the years. Let’s celebrate their courage or rail against the sports world that leads teenagers to compete on broken limbs. But let’s not diminish the role that these injuries play and claim that they are no excuse.
The USA girls began their reign before the competition even began. As in 2011, their dominant performance in podium training foreshadowed an incredible performance in the rest of the Olympics. Some of my favorite moments were of course, a dominant performance on vault and Aly’s bars. I think Aly did the best bar routine I have ever seen from her that day. Pointed toes, feet together – it was awesome!
And apart from Kyla’s uncharacteristic fall on beam, these girls hit every single thing they did on the floor. This is not only incredible, it is intimidating. They sent the message loud and clear that just as in 2011, they came to compete consistently and fiercely.
I have been quiet on the blogging front. I am in a time of intense personal focus as my family is gathered for my grandpa’s last days. But in addition to that, I, like many of you have been experiencing the post Olympic let down. Though I have never met these girls, I feel so connected to their stories, their gymnastics, their hopes and their dreams. And not just the USA girls. In competition, dreams come true, but many many more dreams are thwarted and hearts are broken.
Maybe it is the personal circumstances that I am in, but I have found myself dwelling on all the girls who experienced heart break and disappointment through these games. I think of Vanessa Ferrari, Lauren Mitchell, Viktoryia Komova, Jonathan Orozco and, of course, Jordyn Wieber. This preoccupation has not inspired me to write.
Last night I re-watched portions of event finals and the All Around Finals with my cousin, my sister and my brother-in-law. My cousin, who has become a big fan after going to Pac Rims with me, hadn’t gotten to see these competitions. My brother-in-law gasped in amazement over and over again at their skills and shook his head in disbelief. Oh yes, the part I had forgotten. Watching – and doing- gymnastics for the pure love of and amazement in the sport.
Frustrations with judging, with the rules and the endless analyzing the what ifs and should have beens sneak in and diminish the incredible enjoyment of just watching and enjoying our wonderful sport. Last night, prompted by my family, I just enjoyed the performances. Oh how wonderful they were to watch! What incredible gymnastics we were treated to this Olympics.
I have been looking forward to these Olympic for the past two years because I knew that the fierce level of competition would produce incredible gymnastics. What I was looking forward to was the gymnastics I knew I would be treated to. Somehow I lost that in these past two weeks.
Eventually I will move on to analyzing the rules and looking to the future. But for the next while, I want to spend time remembering the incredible gymnastics, and incredible champions of an incredibly exciting Olympic games.
So join me in remembering and celebrating the most memorable moments of our incredible sport.
The beauty and peril of gymnastics is the expectation of perfection. Of hitting every single time. Nobody’s perfect right? Oh, except Olympic gymnasts. You can miss a shot in basketball and still win the game, make a poor serve or return in volleyball and still win the game. But not so in gymnastics. Being off even by a centimeter can cost you a medal, cost you your dreams.
And so it was so for McKayla Maroney – both the unrewarded hitting of human perfection and missing it as well. In the team finals, McKayla Maroney performed one of the most spectacular vaults of all time. Superimposed on the same vault as Uchimura (one of the most perfect male gymnasts of all time) was McKayla Maroney’s team vault. It is so much higher than any female gymnast had a right to be, higher than Ushimura’s by far, even though the women’s vault is lower, with perfect form and a stick to boot. A vault that would have earned a perfect 10 in any other gymnastics era, still scored higher than any female vault has in this quad. It was a moment of beauty and perfection. But not of surprise. It is all we expected of McKayla.
Then came the Vault finals. The commentators talked of competing for silver, as it was inevitable that McKayla would win the gold. To all of you that have tuned into gymnastics for the first time since the last Olympics, this may have seemed to be sensationalism by the commentators. But the reality is, that the entire gymnastics community in every country has assumed that IF McKayla made the US team, they would be competing for silver on vault. There was no doubt in anyone’s mind that she would win the gold.
After all, who could even remember McKayla not performing an incredible vault, much less falling? In today’s world of social media, you have to go all the way back to 2009 to see McKayla fall on vault in practice, warm up or performance. One time in three years. In a time where all of her teammates are as likely to sit down vaults in podium training and warm up as they are to hit them in competition, it is almost unfathomable that McKayla won’t hit vault- in practice, in warm up, in competition. She could do it following a week off for a concussion, she can vault anywhere at any time.
Such dominance and perfection leads us to expect, well perfection. Anything less is a disappointment. And that is exactly what happened to McKayla in Vault Finals. Anything else.
Was it nerves that got to her? We, and probably even she, will never know. McKayla did, for her, a disappointing first vault. She landed in the red and did not achieve her normal level of perfection. So when she went for the second vault, she really wanted to deliver. Did she come in to high? Did she tried to hard to stick? Whatever happened, the unthinkable resulted. McKayla Maroney fell on a vault.
Ahh how the pendulum swings. One vault is the best we had ever seen. The next is sitting on her butt. McKayla Maroney had done the unthinkable. She lost the vault finals.
Maybe it was to remind us that gymnasts are not robots, but they are in fact human. Maybe it was to remind us that nobody, absolutely nobody is perfect. No matter what the reason, the results stand. The best female vaulter of all time (in my and many other”s opinions) would not walk away from the Olympics with a Vault gold.
A fluke of nerves, of tiredness, of trying to achieve perfection? We will never really know. But to those of you just tuning into gymnastics, know that this was a FLUKE. McKayla has not sat down a vault in podium training or warm up that has been shown, or in competition since 2009. In contrast, she has done more perfect vaults, higher, with more perfect form and difficulty than any woman in history. What she did in vault finals was absolutely a fluke.
Sandra Izbasa, who never dreamed she would be competing for a vault gold with Maroney in the mix, laughed often as she received the news of her win, and her medal. We can never know exactly what she was thinking. But I took it like this. LOL! We all know that Maroney is the superior vaulter. Sure, I will take the gold medal today. But is is kind of laughable.
I hope and believe that this “loss” will inspire McKayla to continue on in gymnastics, which will inevitable lead to more great vaulting. Many have looked forward to her introducing the Yurechenko 3/1. I think that will be awesome. But even moreso, I look forward to more beautiful floor routines and inspired interviews from a gymnast who is fast becoming one of my all time favorites – as much for her sincere, spunky, heartfelt interviews as for her out-of-this world vaults.
“Always a bridesmaid, never a bride” no more for Aly Raisman, who leaves these Olympics as the most decorated American gymnast including two shiny gold medals of her very own. In today’s event finals, Aly topped off her Olympic journey with a bronze medal on beam, and that very elusive individual gold medal on floor. Finally, Aly stood on top of the Floor Podium with a gold medal, where we all knew she belonged.
There were many tears of joy and moments of heartbreak throughout these Olympics. Aly had her fair share of both. Qualifying in as the first American to the All-Around finals produced both as she reached her ultimate goal and at the same time watched her best friend’s dreams crumble. She went on to lead her team to Team Gold with one of the most dominante performances in women’s gymnastics history. Tears of joy began to flow before she even saluted the judges as she was the gymnast to clinch the Olympic Team Gold. In the All-Around final, Aly was too much of a sportsman to let tears show, but I can only imagine the moment of heartbreak at missing a bronze Olympic medal due to a tie breaker (and an unusual mishap on beam).
Today was a different sort of day. After watching two incredible beam routines by Sui Lui and Deng Linlin of China, all the gymnasts following knew that they had to be perfect to beat them. Even fighting for a bronze medal would require a rock solid performance. And that is what Raisman is known for- giving rock solid performances. As it turns out, her performance wasn’t up to her usual level of perfection, but it was still great. An undervalued D score, which led to a protest, which led to a tie with Catalina Ponor, finally led to a tie breaker that Aly was on the right side of. She finally escaped the vice grip of fourth place and won a bronze on beam. What a beautiful moment.
But apart from a team gold medal, Floor Finals is what Aly came for. She went in to floor finals in 2010 and ended up in that ever present fourth place. In 2011 she upgraded her routine and went into floor finals as the top qualifier. Finally winning her first individual medal, she came away with a bronze. So entering this floor finals as the number one qualifier was a familiar place for Aly. What wasn’t familiar was the performance she gave.
Aly went out and did one of the best floor routines she has ever done in competition. She stuck every pass, did everything with incredible amplitude AND artistry. (For a discussion on what the code defines as artistry, and how Aly fulfills it perfectly, read here). She impressed us, she impressed the judges and she even impressed herself.
In the end, Aly walked away with the gold. After all the hard work, all the almost finishing on the podiums, Aly has a gold of her very own. Here’s to the spectacular, never say die Aly Raisman. We are so privileged to watch you!
Gabby Douglas has been known as the Flying Squirrel for her high flying antics on the bars. Undoubtedly the best bar worker the USA currently has in their arsenal, Gabby began to make her bid as a true All Around threat at the US National Championships back in June. She had shown a flash of brilliance earlier in the season in the American Cup but had not maintained that brilliance through the rest of the spring. It was in St. Louis that she challenged Jordyn Wieber for the National Title and almost won. Her next foray came at the Olympic Trials where she earned the only automatic spot of the USA team by scoring the highest All-Around total over two days. Even so, Gabby had never put together four hit routines in one night.
As we pondered the All Around gold possibilities, Blythe from The Gym Examiner said, “You only have to put it all together once. It just has to be on the right night.” That Gabby had the talent was never a question. But could she hold up under the intensity of the Olympic spotlight? Could she put it all together that one time, the night of the All Around finals?
In qualifications, it seemed that she would do it. She held it together, performing incredibly on vault, bars and beam. When it came to floor however, her old nerves crept in. Gabby had a major mistake on her second pass and literally bounded out of bounds. Doubt may have crept back in to others minds, but not into hers.
Gabby came out into team finals and gave the performance of her life. She cleanly hit every routine with nary a bobble. Her All-Around score was easily the highest that had yet been put up in the games. She did it! Four incredible hit routines in one night! She had put it all together!
Was it possible that she could do it back to back? Watching her cool, collected demeanor would say that it was. And as it turned out, Gabby put it all together twice. On the two nights of nights.
Gabby led from start to finish. Opening up with one of the best vaults she has done, she emphatically said that she meant business. She continued on throughout the night, hitting her high flying beam routine, sailing through her complex beam routine and tumbling her way to Olympic gold. It was a beautiful, incredible, performance. Scoring the highest All-Around score of the entire quad (four years between Olympics) Gabby truly won gold.
But it is not only the gold medal around her neck that earns her the newly donned Golden Gabby nickname. It is her golden personality. Gabby’s smile is impossible to resist. She has that bounce in her step, that spark in her eye that hint at her bubbly, positive personality. The only thing that comes more quickly than her brilliant smile is her infectious laugh.
Gabby has stolen our hearts with more than her dazzling performance. Her true grasp of the honor it is to represent her country oozes through every word. The responsibility and maturity she feels as a role model to the gymnasts – especially the African American gymnasts – she has inspired is beyond her years. And her playful personality warms our hearts. She will be a beloved gymnast for years to come.
Gabby Douglas, you were extraordinary. Thanks for making some incredible sacrifices to make your dreams – and ours- come true. You truly are a star.
Following tomorrows floor finals, I am sure the never ending debate about the loss of artistry in women’s gymnastics will once again take center stage. Has the ever increasing difficulty needed to be competitive in today’s gymnastics cut out all the artistry? Have we lost the artistic in artistic gymnastics?
People’s personal opinions of what is artistic often vary widely. But in general, when people are referring to artistry, they generally mean ballet like dance and movement. The classical, elegant and graceful movements usually reserved for the ballet stage including an incredible toe point, stick straight legs and graceful arms on every event.
Some people say gymnastics is heading in a great direction. If they wanted to watch ballerinas, they would go to the ballet. They love the incredible feats of tumbling and power. The more vocal contingent bemoans the loss of classical gymnastics and the beauty and grace combined with tumbling and power.
But how does the Code of Points, the rules governing the scoring of gymnastics actually define artistry? Here is how the code describes the deductions that can be taken for “Insufficient artistry of presentation throughout the exercise”:
- Lack of creative choreography (originality of composition of elements and movements)
- Inability to express idea (theme) of the music through movements
- Insufficient variation in rhythm – Music
- Poor relationship of music and movement
- Background music
- Inappropriate gesture or mimic not corresponding to the music or to the movements
You see, the code of points does not ask the gymnasts to dance like ballerinas. It asks them to PERFORM their routines. To create original elements, movements and themes and then to express and interpret their music well. Let’s look at some examples.
Viktoria Komova, an undeniably beautiful dancer with a dreamy toe point and graceful movements fits most peoples’ idea of artistry just perfectly. But throughout her senior career, Komova has often failed to perform her floor routine with feeling or expression and rarely did she interpret the music. She just went through the motions relying on her classical training with very little actual performance. This is not artistry! Now compare this to her performance in all-around finals. She hit every movement to the music. She had dramatic flair. You felt the beauty and the passion of what she did. Now THAT was artistry!
Aly Raisman, undeniably the best female tumbler in the world with a tumbling pass that shouldn’t even be possible does NOT fit most peoples’ definition of artistry. Even when her legs are actually straight, they look kind of bent and her toe point is far from dreamy. Her movements are all about amplitude and power not grace and beauty. But lets pass her routine through the checklist above. Creative composition and originality of movement: A modernized version of a Hebrew folk song used for Jewish celebrations – original, creative, celebrating her culture. Check. Expressing the theme of the music through movements: Aly actually does movements from the original dance in her routine. You feel like you could be at a Jewish wedding when you watch her! Check! Variation in rhythm: Check. Relationship of movement to music: Every movement is on beat and perfectly timed. Check. Aly may not fit our idea of a classical dancer. But according to the code, she is absolutely artistic.
The list could go on and on. Jordyn Wieber has some of the best musicality of this code. She interprets and expresses her music perfectly from her toes, to her eyes, to the energy in every movement. When you watched Ana Porgras of Romania, you truly felt like you had gone to the ballet. Aliya Mustafina in 2010 captured you with every movement, the look in her eye, the flick of her wrist. Lauren Mitchell brings some of the most original and creative floor work into this quad. All of these are great examples of artistry. All of these are very different types of artistry.
Perhaps what the true debate is over Soviet dominated gymnastics verses the addition of other major players. Ballet is at the heart of the Russian culture, the undeniable leader of women’s gymnastics for decades. Of course it would come through in gymnastics! Other countries followed suite to be competitive. But eventually, the cultures of other countries who were becoming major players began to creep in. A country like China is not known for it’s ballet, but for its high energy, dynamic and acrobatic movement. The USA is a country that celebrates variety and individual expression, but most of all power and athleticism. Romania loves to include routines that seem to show Romanian heritage.
There are many questions and controversies over what the code is and what it should be. But as we head into Floor Finals tomorrow, lets appreciate the various TYPES of artistry that we see. After all, that is what the Olympics are all about. Appreciating and experiencing many different cultures. Last year’s World Championships displayed one of the best Floor Finals in many years. Here is hoping this will be the same!
The two per country rule in gymnastics has affected many gymnasts and countries over the past few years. Each country handles the repercussions from this rule differently. In America, where the achievements and performance of the individual reigns supreme, whoever earns the spot by their placement in the qualifications goes onto the finals. In other countries, where obtaining honor for the country supersedes the honor of the individual, it is not uncommon to replace an athlete who unexpectedly qualified with another gymnast who has better chances of winning a medal.
It happened last year at the World Championships when Viktoria Komova began to show that she would not be able to put in a great performance in the Floor finals. Shortly before the finals began, Russia pulled her. This allowed her teammate Ksenia Afanasyeva who was first reserve to go in her place. Afanasyeva went on to give the most brilliant floor performance of the entire championship and took home the gold.
Today it was announced that Diana Bulimar of Romania will be pulled from event finals. Once again, this will allow her teammate Larisa Iordache who is next in line to take her place. Iordache comes in to the Olympics with the most difficult beam routine in the world and had widely been considered the favorite for gold. Injury struck at just the wrong time, causing her too much pain to allow her to train as she would have liked the week before the competition. As a result, she scored much lower than usual during qualifications.
One of the beautiful things about the Olympics is learning that different cultures value different things and both are appropriate. So, in my opinion, arguing which approach is “right” is pointless. Values lead to actions, and different cultures value different things. What this calls attention to once more is the two per country rule. Bulimar only had the opportunity to compete in the finals because Kyla Ross of the USA and Anastasia Grishina of Russia were not able to compete due to the two per country rule. Now, Romania (or Bulimar herself) has decided to give Larisa the opportunity to go for gold but it leaves Bulimar in the unenviable position of missing her chance. Like Aly Raisman going into the All Around finals, mistakes would have to be made for Bulimar to have a chance at the podium. On the other hand, Iordache will be the one that will have to make mistakes to lose the gold. But Iordache (from a powerhouse country) is given the opportunity while Ross and Grishina must sit and watch.
Different countries, different reasons, different circumstances. But once again, the two per country rule has struck. As a side note, even with the two per country rule, not a single gymnast from a non powerhouse gymnastics country (Russia, Romania, USA, China) has qualified to the beam finals. In fact, the only person to compete in an event finals due to the two per country rule in all four events is KokoTsurumi from Japan on bars.
While I am delighted that Iordache will have her chance, and that we will have another chance to watch her amazing beam routine, I can’t help but continue to bemoan the unfairness and ineffectiveness of this rule.
The all-around gold medal is the most coveted individual gymnastics achievement. When people refer to the champion, they mean the all-around champion. This Olympic year has an EXCITING all-around competition in store! Most years in women’s gymnastics there is a battle between two, maybe three gymnasts for the gold medal. This year, that is not the case. This all-around final will have five gymnasts who could win the gold medal.
There are twenty- four gymnasts in all who qualified into the All-Around finals. Here are the top five who will be vying for the podium. Who will end up on top is anyone’s guess. Hold onto your hats ladies and gentlemen, this is going to be a wild ride!
Viktoria Komova (60.632/25.7 Qualification)
After losing the gold to Jordyn Wieber last year by the smallest of margins, Viktoria comes into these Olympics ready to do battle – and win. Her slight form hides the incredible power underneath. She dances like a ballerina, vaults with power and grace, swings bars like she was meant to live life in the trees and tumbles on the beam as if she was light as a feather.
Viktoria debuted her amanar for the first time in her senior career during qualifications. Adding that to her arsenal along with one of the most difficult, perfectly executed bar routines in the world right now gave her the edge she needed to qualify in first. Her beam and floor routines are both exquisite, but not very consistent. She tends to either hit or miss on beam and is often plagued with low landings on floor. She will have to bring her best to keep her place at the top of the podium.
Alexandra Raisman (60.391/25.3 Qualification)
Aly is known to be one of the most calm, consistent competitors there is. Long overshadowed by higher scoring teammates, Aly shocked the world and herself by qualifying in as the top American. She comes in with the highest difficulty and most consistency on vault, beam and floor. However, her lower difficulty on bars, along with her poor form on this even is what keeps her from the top of the podium. She was fourth at last years world championships with a horrible mistake on bars.
Aly did the best vault of her career in qualifications, cleaning up her form issues and landing with just a small hop. She did the best bars routine she has ever done by far during podium training, seemingly to finally overcome her form breaks. She is generally rock solid on beam, and has scored the highest floor scores in both the team and qualifications. Overall, Aly does not have high enough difficulty to win gold without mistakes from both Gabby and Viktoria. But her rock solid, consistent performances make her a gymnast you should not count out. After all, as we have seen, anything can happen in the pressure of the Olympic spotlight.
Gabrielle Douglas, USA (60.265/25.3 Qualification)
Gabrielle, or Gabby, has been a rising star this year. Last year, she was known for her high flying bar routine, but her mental game was just not strong enough for her to be an all-around threat. This all changed when she came roaring out of the gate as an exhibitionist at the AT&T American cup. She unofficially (her scores did not count as an alternate) ran away with the gold. Since then, Gabby has been inching away at Jordyn Wieber’s lead in every meet until she finally overtook her by .1 at the Olympic Trials.
Gabby comes in with one of the highest potential start values of the group. She has the physical ability to blow away the competition. What remains to be seen is if she can continue improving her mental game and hit the routines when they count. She qualified in third because of a large error on floor. However, she hit four for four during team finals, and her All-Around score there would have easily won the title. If everyone brings out their best and they all hit, Gabby most likely wins. She will have to keep control of her nerves to stand on top of the podium.
Aliya Mustafina RUS (59.966/24.7 Qualification)
In 2010, Aliya was a star. In fact, it seemed she was on her way to becoming one of the gymnastics greats. Had we ever seen someone who could vault with the power and amplitude she attained and dance like a prima ballerina on floor? Someone who’s beautiful swing on bars was only outdone by her lightness and sureness on beam. Aliya won the all-around. She led the Russian team to gold. She qualified in EVERY event finals and placed on the podium in all but beam, where she had her only mistake of the entire competition. She looked unstoppable.
Unfortunately, an injury has put a serious roadblock in her path to glory. In 2011, she tore her ACL at the European Championships while performing her famous amanar. Her recovery has been difficult. She has grown and is still not used to her new body. But she has continued to train hard.
Aliya has yet to show the level of gymnastics and performance she attained in 2010 this year. She is not competing with the level of difficulty she formerly attained. But Aliya has a competitive drive, a fierceness and focus on the competition floor like few others. She has that undefinable quality and mental drive that propels her to the front. Her team loss will only drive her more. I would not be surprised at all if she ends up on the podium.
Larisa Iordache (57.8/24 Qualification)
Larisa’s junior showings made her highly anticipated as the Romanian all-around contender at the Olympics. She has a charming floor routine, one of the most difficult beam routines being performed at the Olympics, a solid vault and a very decent bar routine. Her achilles heel at these Olympics has in fact been her heel. She has plantar faciitis in her left heel and has not been able to put in a great deal of training over the past week.
This has definitely shown in bother her qualification and team performances. She has not been on her game. Hopefully the additional days of rest and training will allow her to continue on the trajectory she has been on her entire career – a place on the Olympic All-Around podium.
In addition, Deng Linlin from China qualified into the top group. This group will all compete together, starting on vault. It should be noted that Larissa did not qualify in this group and will start on bars. Once again, we all want these women to go out and have incredible, hit competitions!